In my experience, most complaints about cartoons seem to be due to a misunderstanding of the premise or punchline of the joke. Or sometimes an understanding of, but objection to the joke, its intent or execution (or even subject) or, in the event of political or social commentary, just a disagreement of opposing ideology.
However, the “outraged” party du jour of this particular comic from 2011 had a complaint that was a new one on me altogether! The cartoon in question was a series of jokes featuring a recurring character, “Ironey The Iron” who was a de facto narrator for Asheville happenings, as he was an anthropomorphic version of the well-known urban art piece (sculpture) on Wall St. and Battery Park Ave. appropriately facing the Flat Iron Building outside the Mountain Xpress offices.
As I had done in previous incarnations of the Ironey strips (here and here), I addressed a number of recent local issues that seemed ironic in some way. One of them, was that a local photographer, though coming off a recent win as Best Local Photographer in the paper, had nevertheless made public his concern about being able to make a living here, or indeed, to even continue to pay to live anywhere. This was stated on his Facebook page and repeated on an Ashvegas blog post about the photog in question, Micah MacKenzie. I thought it nicely pointed out the irony of being “successful” in the arts here and still not actually making enough money to even pay your (inflated) local rent. The cartoon ran as follows:
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Ironey the Iron III printed in Mountain Xpress circa 11/15/2011.
The next week, I hear from an editor that they had received this letter to the Editor by a Patty Cooper which, bizarrely recounted how “offended” she was about the cartoon because… well, just read it yourself:
“I am highly offended by your cartoon that shows someone in a green hat, and brown pants, and who is a photographer [“Brent Brown: Ironey the Iron,” Nov. 16 Xpress]. I walk these streets all day wearing about the same outfit, taking pictures. I would hate to assume that this is supposed to be a caricature of me.
Yes, I sit with homeless, and many others as I spend my days here. I can assure you though, as a land and homeowner in Vermont, and having an apartment to stay in while here, that I am not homeless. I also have viewers of my work all over the world. I do not see any homeless persons walking these streets with photography equipment or handing out cards about the video and photo work I do. Yes, I was offended.
I could not figure out why persons were walking up to me today telling me all about services that the homeless have here. When I told them I do not need those services they seemed shocked. Now I know why. I am sure that you would not have posted a caricature of some better-known local artist like that. I consider this defamation of character.”
— Patty Cooper
Asheville
So, I was tasked with penning a response to this person’s, shall we say, colorful view of the world, before I was told who even wrote the letter. I first wrote Micah to make sure he didn’t write it, as it was about him, but he had not even seen the cartoon, or got the connection that it was about him, until I pointed it out. Assured the letter writer was indeed not the subject of this comic, I replied:
“No, the cartoon was not about you, whoever you are, (the Xpress edited that part out) The cartoon of the photographer who’s forced into homelessness despite, ironically, being the best in his profession, was not based on you. Rather, the cartoon alludes to a Nov. 2 entry on the Ashvegas blog about local photographer Micah Mackenzie, who posted on Facebook of his struggle to survive in Asheville (ironically after just having won the title of Best Photographer in the annual Mountain Xpress Best of WNC issue). Even then, it was not a literal representation of him and other actual artists actually living in boxes on the street, but rather a premise taken to an extreme to achieve what people with senses of humor call a ‘joke.’
The clothes’ colors were chosen at random and not based on any person living or dead. To further set your mind at ease, the iron depicted in the cartoon, while based on an existing sculpture on Wall Street, does not in real life have human limbs or a face and does not narrate local events.”
— Brent Brown
Asheville
