Since I don’t like to repeat either styles or characters too much in these challenges, I was hesitant to do another Berni Wrightson Swamp Thing homage, but since I only did his style on Day 1 this year, and I did Swamp Thing in only a Harvey Comics style for the “Slimy Swamps and Foggy Bogs” prompt last year, I felt it was okay to repeat both Swamp Thing and the Wrightson art for this. (Besides, I love Swamp Thing.)
Here is is with the other “swamp” citizens: Marvel’s Man-Thing, Walt Kelly’s Pogo and Star Wars’ Yoda. Upon reflection, I could have added more swamp people, like Kermit the Frog, Gollum and Shrek, but didn’t have room or time.
I liked the stark contrast of just the black and white inks, but then I had to add color to make all the characters stand out better.
Another year of DRAWLLOWEEN month is here! This time, I’m doing it all digital, instead of the inking in a sketchbook and scanning in to post method I did the previous two years. For that reason, I won’t be doubling this as also taking part in Inktober, but I won’t have to scan any more, or worry about ink from the previous day bleeding through the paper and having to work around it on the reverse page. Also, I now have an Apple Pencil and iPad Pro that makes sitting and drawing as easy and realistic as doing it on real paper with real tools. Another plus (or minus) is that I won’t be tempted to connect two days due to them being next to each other in a spread when the facing pages are open in the sketchbook. That was another challenge to deal with in an already challenging challenge, so now I can concentrate on other things.
So for day one’s “Return From the Dead” prompt last year, I honored two celebs who had sadly passed away during 2016 (David Bowie and Prince) and I wanted to do the same with this year’s same prompt. I decided on the two co-creators of my favorite macabre comic, “Swamp Thing”, writer Len Wein and artist Bernie Wrightson. For one thing, returning from the grave was a theme presented many times in their influential comic run in the 70s and seemed appropriate for this use. Secondly, Bernie’s masterful line work and moody inking is something that hit me right away when I saw it and I have loved it ever since, and this is a great reason to try to ape it in honor of both him and Len.