For the third year (not in a row) I’ve been commissioned to come up with a Halloween themed cover design for the local Asheville alt weekly paper, The Mountain Xpress.
2016 Halloween cover for Mountain Xpress by Brent Brown
This year I was asked to do something with local architectural elements, such as the winged lions (I’ve been told they are notgriffins, as they do not have the head of an eagle, just the body of a lion, with wings, but then again, I’ve read they could be either) at the Grove Arcade building. I toyed with a few ideas and we narrowed it down to just the lion statues at the Grove Arcade.
I thought that was a cool thing to play with, so I looked the historic structure up on Google Street View to get a straight-ahead view of it, then took it into a vector program and made a simple vector-art version of it that I could then distort into an extreme, bug’s-eye view perspective to add some dramatic flair to it. I then used the handy 3-D artist’s model bodies in Manga Studio (now called Clip Studio Paint for some reason) to get the correct perspective and anatomy for the hipster-clown the animated architectural animals would be attacking on All Hallow’s Eve.
The gryphons/lions I had to just create from a reference photo and so their perspective is not as extreme, since I wanted to keep them recognizable in their newly-animated, attack versions and I also had to kind of figure out their perspective on my own.
Then, it was just a matter of drawing the correct details on the reference model, arranging it with the lions I drew, rendering out lighting and shade and details on the Arcade and generally improving the whole composition, while leaving space for the heads and subheads that were to come in later.
The previous covers combined Halloween with the election, since they fell so close to the same time that year. That was fun, but also hard to come up with anything new that hasn’t already been done before since the last day in October and the first Tuesday in November are always in close approximation each year and it’s a visually and satirically temptation to want to somehow link the two. I was glad I didn’t have to do that this year, as I had already used up all my ideas previously.
2013 Halloween cover for Mountain Xpress by Brent Brown
2012 Halloween cover for Mountain Xpress by Brent Brown
I’m interrupting my current spate of blog posts responding to fits of pique, to announce an upcoming fit of geek. Namely the second annual incarnation of our local geek (comics, sci-fi, gaming, general pop culture) festival and/or “con” called, Geek Out!
I missed last year’s inaugural GeekOut, due to commitments to offspring matriculation in other parts of the state occurring simultaneously, but I’m glad to announce that I will be included in the Artist Alley section of the con this year.
Along with offering to draw caricatures in exchange for only some devalued US currency, I will also be selling copies of my new 62-page full-color paperback book. It is a compilation of selected comic strips from the last 5 or so years of my “Land of This Guy” cartoon that has appeared on a mostly weekly basis in the local alt-weekly, The Mountain Xpress. Sure, you probably saw most of them already for free, but here they are printed on good paper instead of awful newsprint and additionally, I supply a director’s commentary on each one as an added bonus feature and page-filler!
I only have 50 copies, so be sure to stop by to get one either signed or not signed, depending on whether you like your reading material defaced with other people’s scribbling inside or not.
Any copies left over will be available for sale here or on any of my other sites and any left over from that will be stuffed into a pillowcase and buried with me when I die, so that I can take the shame of my failure to get even 50 people interested in purchasing a small segment of my life’s work for less than $10 with me to the grave.
So, while I’m still here, come out to Geek Out this Saturday, May 4, 2013 at the Sherrill center at UNC-A from 9:30 a.m. – 6:00 p.m. and in addition to seeing cool guests and cosplay and a plethora of geeky goodness all in one place, also try to make my life have meant something!
In it, I spoke about my late uncle’s produce business and how he would dress up as the stereotypical “hillbilly” that potential tourists/newcomer customers would expect to see. Here is a collage of some of the label/ad designs I tried to come up with for him, as well as a photo from a newspaper clipping of him and my late aunt:
Bob and Katherine McCombs at Mountain Man Produce stand in Hendersonville, NC
An interesting aside, is that I used him as the inspiration for a cartoon (featured in the same Carolina Public Press article) where I take up the issue of cultural stereotypes that was partially in response to another cartoon by fellow cartoonist, Randy Molton that was featured in the Asheville alt-weekly, Mountain Xpress. Randy’s “pigdemic” cartoon (suggesting certain bestiality inclinations inherent in certain people in certain geographical regions) caused not a small bit of controversy at the time (May 6, 2009 issue).
My cartoon was a little better-received, but still had its critics. As local writer and Appalachian historian, Betty Cloer Wallace remarked:
“Well, Brent Brown’s “Stereotypes” cartoon is quite humorous and a great improvement over Molton’s “Pigdemic,” even though Brown’s “hillbilly” character is the only person of the five types in his entire cartoon who is portrayed as being ignorant for real, ignorant beneath his stereotype. (It’s hard to get away from it, isn’t it?)
Even the double-negative frame, although borderline, is humorous.
I think the cartoon would have been even funnier, though, if Brown had left out the stereotypical language “whatchoo you in fer” and instead had the real person behind the ignorant stereotype saying something unexpectedly erudite.
It clearly is possible to poke fun at stereotypes in ways that are not insensitive or insulting toward a person, group, or culture, and except for “whatchoo you in fer,” this cartoon does that quite humorously.
By Betty Cloer Wallace 05/20/2009″
What she did not know, was that it was based on an actual person, my uncle, who—though he was playing the part of the cartoon hillbilly as a marketing gimmick—was nevertheless a rough-around-the-edges, rural, country type who was still prone to speaking in a NC mountain dialect with syntax and grammar not considered proper or correct and filled with regionalisms. To have him sound like Rex Harrison would, I agree, have been a funny idea, but in this case, I was being true to the comic strip avatar of my uncle Bobby. It was also a way to say that even though the people here may have an accent and non-standard way of speaking, that they are still nothing like the cartoon stereotype portrayals that may or may not even be based on reality, but became so prevalent that even the people they mock eventually used them for their own purposes.
L to R: Randy Molton, Brent Brown, Chris Cooper, David Cohen. (Photo courtesy of Rebecca MacNeice)
On March 14, 2013, I was part of a panel of local cartoonists invited to Western Carolina University in Cullowhee, NC, to discuss our work as local cartoonists, as it pertained to “Southern Stereotypes in The World of Cartoons” as part of the Universitiy’s “Comic Stripped” exhibit taking place in the Southern Heritage Museum.
Many famous Southern or Appalachian-themed comic strips were displayed in the gallery: Snuffy Smith (with and without Barney Google), Dough Marlette’s “Kudzu”, Li’l Abner, even the more recent animated TV show, “King of the Hill.”
Of course, the creators of those well-known displays are either no longer alive, or too famous to show up for this panel, so the school very graciously reached out to local-grown talent to share their experience of creating comics/cartoons in the South, for the South, and presumably, about the South.
WCU cartoonist panel. L to R: Randy Molton, Brent Brown, Chris Cooper, David Cohen. (Thanks to Rebecca MacNeice for the photo.)
As a weekly cartoonst for the Asheville alt-weekly paper, “The Mountain Xpress” for the last six years or so, I was invited to share my cartoons that depicted such themes. Also on the panel were my fellow Mountain Xpress colleague Randy Molton, former Mountain Xpress cartoonist, and current political cartoonist for the daily paper of record in Asheville, the Citizen-Times, David Cohen; and resident WCU Political Science professor, Chris Cooper.
Brent Brown contemplates exhibit of Southern-themed comic strips at WCU.
It was apparent that the organizers of the exhibit and the panel had gone to great lengths to create a beautiful display of the genre and that genuine enthusiasm and care had gone into making the artwork displays expressive, lively and interesting.
Detail of exhibit of Southern-themed comic strips at WCU.
Western Carolina University, Cullowhee, NC
I was proud to have my own work put on display in the lobby outside the lecture hall as well, even if it was not in the same iconic class as the well-known comics in the gallery.
Brent Brown with exhibit of enlarged Southern/Appalachian themed comics he has done.
Sadly, aside from me, my fellow panelists, the accommodating and friendly folk from WCU who invited us, and the significant others we brought with us, there may have been about three other people who actually showed up to the discussion.
For those few, we had a lively and sometimes humorous discussion throughout the designated time period in the mostly empty hall. Randy and David gave thoughtful and considered answers in response to questions while I rambled on like a grumpy stand-up comic until time had run out.
I can’t pretend the seemingly apathetic turnout to what I would have considered a must-see event in my youth (REAL cartoonists talking and big displays of COMICs??) was not a bit of a letdown, and can’t help feeling like it was a depressing barometer of the interest in comics in general or my work in particular. It also evoked sympathy on my part for the work the organizers had put into it. Their fulsome enthusiasm contrasted with such apathetic snubbing by the students/public of the event to such a degree that I felt worse for them, than for me.
Maybe comic strips are becoming a relic of a bygone era. I mean, at nearly 50, I am still the youngest of the cartoonists present (you can’t tell by looking, but it’s true), so maybe if it’s not anime or manga, people of a younger generation aren’t interested. Also, print media may not have the allure for a demographic raised on electronic screens and unlimited visual content from limitless sources that it once held for me when the only time you could glimpse a color cartoon was in a Sunday paper or a Saturday morning television block. Comics and cartoons were a rare treat in those days, so they seemed to mean more. With cable networks devoted to them and web comics galore, they are as prevalent, and as overlooked as a kudzu vine.
Local area cartoonists: Randy Molton, Brent Brown and David Coehn at panel discussion and exhibit of Southern-themed comic strips at WCU.
Still, I appreciate their efforts, and enjoyed the time we spent there, even if no one else in the vicinity really seemed interested at all. It was nice to be part of group recognized for what they do, even if no one recognized it happened.
Afterwards, Paul Clark, a writer for Carolina Public Press did a phone interview with me on the subject. This well-crafted piece debuted on April 9, 2013 to yet another round of intense apathy from the online reading public.
Well well, no blog entries here since January of 2011, huh? Wow! That’s a lot of not blogging! I aim to rectify that (just this once) with a new entry today! (See below.)
Often I get asked what goes into creating a new cartoon for the Mountain Xpress(alternative weekly free paper based in Asheville, NC and distributed there and amongst the neighboring counties)and by often, I mean never. However, just in case anyone was actually interested in such a thing, I have put together this step by step, behind-the-scenes, DVD extra, cinema verité look at just what goes into those cartoons that you probably don’t see every week. Won’t you please read on? The process starts as soon as the last cartoon has been sent in on the Friday afternoon deadline. Actually, a period of relief and recuperation follows that submission and a weekend of not having to think about the cartoon follows, but honestly, as soon as Monday morning rears it’s weekly head, that sinking feeling of another impending deadline starts ulcerating and the quest for ideas to do the cartoon about starts anew. This need for a new idea becomes more frantic as the week goes on, of course, and the fact that even if several stories of a local nature (the only kind of stories I can do, if I am to follow my mandated function as a local cartoonist for a local paper that is all about local and how local matters, um, matter) are current topics, they may also be topics that A) do not lend themselves easily to cartoon lampooning fodder or B) are in the same vein as similar topics that I and/or other local cartoonists have already done, sometimes many times, before. The search for inspiration within such narrow stipulations can be a problematic one for sure, but having the internet and no actual job to commute to, work at and get paid from to waste my valuable time, I am able to scour the local media outlets, social networks and Twitterverses for that one nugget of a twinkling of a kernel of a spark of an idea maybe that might could possibly work if I try to tie it to some other seemingly connected or divergent or paradoxically juxtaposed incident out of which I can hopefully find a way to squeeze some amount of humor or at least social commentary.
Researching ideas for cartoon - clicken to enlargen
Once I have the idea (in the case of this particular week’s cartoon, the news had been about the New Belgium brewery announcement in Asheville, which happened not long after Sierra Nevada brewery announced plans to locate in neighboring Henderson County. There had also been news items about the long proposed, but never started Ecusta Trail from Henderson to Transylvania Counties, as well as news that Transylvania County was becoming a known biking destination. Some talk about a plan to link the two new future breweries with each other by a bike trail and the usual local grump grumbling about rails to trails, and biking in general from the online comments of stories about them, gave me the idea of imagining a future where such a wonder (to a biking and other greenway enthusiasts) could actually happen and then the chance to bring it down to earth with the reality of one of my favorite targets, the unimaginative rural locals and the unimaginative northern transplants that make up (or at least seem to make up) the population of my home county.
Rough sketch on old-fashioned, actual paper. Clicken to embiggen
With an idea figuratively in hand (the most important and biggest hurdle to clear in getting the cartoon started) I was able to begin sketching out ideas. I’ve pretty much gone completely digital, with my Wacom pressure-sensitive tablet and various software programs that can simulate the look and feel of ink, pencil, watercolor, etc., but I still use a pencil and paper when just roughing out ideas and characters.
sketch layout • click to make bigger
Once I have a general idea where the cartoon (in this case, comic strip, since it will take multiple panels to tell the story) is going to go, I can switch to the computer and (using the Manga Studio software I prefer to work in) decide how many panels it will take and start roughing out the layout and composition of each panel. First though, I need to write the actual dialog of the characters in the comic. This is important to do first, as it not only gives me the direction of what to actually draw in that panel, but depending on how much space the word balloons take up, it limits where and what can be drawn in each panel that will not be obscured by the words. In this case, and in most cases, since I am dealing with actual local issues and not made up circumstances, I have to research the information to make sure I have it all accurate. The location of the New Belgium brewery was mentioned in the news articles, so that was pretty easy to locate on a map. The location of the Sierra Nevada site in Mills River was much trickier, as it was set in some place called “Ferncliff Industrial Park” which I have never even heard of, much less seen and I have lived in Mills River for most of my life.
type layout • click to see larger
More research for cartoon after idea research • click to see it
The process of locating the location of this purported site was increasingly problematic, as all the news stories and online press releases I could find about it never mentioned a street address or actual location. After much detective work, I was able to ascertain that it must be located somewhere near the French Broad river in Mills River, near the airport and facing Fanning Fields Road. Using Google street view, I was able to, eventually work my way down that road until I found a guesstimate of where it must probably ought to be and now I had the two sites to pinpoint on my cartoon map of the future multi-use, supergreenway path! I also needed to find an accurate map of the route to use in the cartoon for the panel that shows a birds eye/Google Maps view of the route and I needed to be relatively aware of where the Transylvania/Henderson/Buncombe county lines fell in the opening panel. Some reference photos of what the current railroad tracks in the proposed Ecusta trail look like needed to be sourced as well and I was also able to rely on my own experience on them. Finally, some reference photos for the bicycle (can’t get that wrong, or I would hear about it) and I’m ready to proceed. Now, after the script has been written (limited by the space allowed in the panel and the size and shape of the word balloons) and the rough layout pencilled in, the final inking of the comic can begin with the reference sources all pinned down.
comic at the inking stage - click to grow
After all the details have been added in, I can export the Manga Studio file as a PSD layered file and then open that file in Photoshop. Now I can begin the process of adding in all the color that has to meticulously be put in by hand on each item. Luckily, I decided to make the final panel a sepia tone to indicate how backwards and old timey my beloved home county is in the comic. That meant I didn’t have to color in each little thing in that panel at least, but I ended up having to make things various shades of the sepia brown to give them some depth.
colored in strip make it bigger by clicking
Finally, I can send the finished image to the Mountain Xpress. First, however, I have been informed that I must make sure all the blacks in the ink, text, rules, etc. are all in 100% black instead of the CMYK build that Photoshop makes them automatically when I bring it into an RGB PSD file from Manga Studio (if these things mean nothing to you and make your eyes glaze over, imagine how I feel dealing it every week) so I have to find a way to select only those parts of the image and convert them to appear in just the BLACK channel after converting the image from an RGB to a CMYK image, increasing the size of an already large file to email, but it can’t be helped, sorry inbox mail attachment file limits!
finished cartoon for print
Now, I’m ready to mail the file to the MX editor, co-editor, editor when the editor is away, another editor who fills in for that editor and the art department guy. I could be done now, but I have one more chore I have voluntarily burdened myself with: I have to make a special version for the Mountain Xpress web site. You see, the dimensions of the comic I have been given to fit into for the print edition (and the large header that must appear above it each week) leave me with a very wide and narrow, horizontal space to fill. While this fits into the print version of the paper, the web site, in its current columnar layout, does not give much horizontal room for things and that includes the cartoons. Taking my very wide horizontal cartoon and shrinking it to fit into the narrow space of the web site reduces all that detail and text down to an unreadable size online, particularly in anything with more than one, two or at the most three panels. This being a five panel, two row cartoon, I felt I needed to make my usual WEB version of it. So, I had to take the finished, flattened CYMK TIFF 300 dpi print file and change it back to an RGB JPEG 72 dpi web file. Then I had to cut and paste the individual panels in order to get them to stack onto each other (in correct sequential order of course) until they make a vertical cartoon that will more easily fit into the online layout without having to be shrunk down to illegibility.
web version of cartoon
At last, the cartoon has been remade to fit online, and I send it in a second email to the MX editor and the MX webmaster (I send them separately, because in the past, I have sent web versions and print versions together , but found the print versions were being used online anyway and I also have received very stern reprimands from the print art director about “square-shaped comics with the wrong dimensions” that I should know better than to send for print which turned out to be the web version that someone mistakenly sent to the print department) to make sure they go only to those who need them. Then, at last, my cartoon finished for the week and only 40 or so hours spent in thinking of, researching, sketching, roughing, re-researching, writing, lettering, inking, coloring, manipulating, routing and sending my cartoon, I can relax and not think about it again for at least another two days! The $40 I have earned for it will go far, but that is not why I do it. I do it for the knowledge that I am creating something of quality that will be enjoyed by so many readers both in print and online and satisfaction that creating something that touches so many people in such a way that only such hard work and dedication to accurate detail and quality presentation can achieve!
Print version used on MX Facebook page and huge response it garnered.
Oh, did I mention that the online version I worked on and sent to the MX was never used and the web people just somehow tracked down the print version that I only sent to the print people and then converted that to use in a tiny, unreadable image on both the Facebook pages and web site? Did I mention that I mentioned this to them via an email that once again, contained the web version and that they still to this day did not fix it?
PRINT version of cartoon used on the MX web site to the view of hundreds and garnering zeroes of comments.
Did I mention why I bother to spend so much time every week on this cartoon? I’m remember there used to be a reason, but can’t remember what it was now.
This week’s Toon Weekly challenge was about game shows. I wasn’t that inspired by it, so I put it off ’til the last minute and had to rush something out quickly. If it sounds like I’m making excuses, that’s because I am, but here it is, if the trend of washed up celebs hosting game shows that become even worse relationship killers than “The Moment of Truth”… then, you may have Debbie, sorry, DebRA Gibson hosting…… (it could happen!!)